Disco debut de Hallux Valgus ya está disponible en CD y casete

Arte de la versión en CD de «Reflections of Distant Dreams».

La versión en CD está disponible a través de Ex Nihilo Music mientras que la versión en casete está a cargo de Burning Coffin Records. 

“Reflections of Distant Dreams” es el título del nuevo trabajo de la banda de Death Metal puertomontina HALLUX VALGUS, material que reúne un total de 10 composiciones fuertemente influenciadas por bandas como REPULSIONAUTOPSYDEATH BREATH.

De un carácter musical cercano a los cánones clásicos del género, HALLUX VALGUS ofrece en esta nueva producción un trabajo instrumental variado y de gran nivel, tanto compositivo, en ejecución y producción. 

El plano conceptual está fielmente reflejado en el arte de tapa así como el interior del disco, trabajo que es compartido por dos artistas nacionales: José Triviño (arte exterior) y Daniel Hermosilla (arte interior). 

Las letras, por su parte, se inspiran en una suerte de terror surrealista y a su vez autóctono, propio de las zonas rurales e insulares del sur de Chile. 

Todo el trabajo instrumental fue registrado entre noviembre y diciembre del año 2019 en los estudios Sound Pro de la ciudad de Puerto Varas. Todas las voces fueron grabadas en octubre del año 2020. 

La mezcla y masterización estuvo a cargo de Rafael Fuentes, quien realizó el trabajo en el estudio Anti Play Rec. de la ciudad de Valdivia. 

La actual composición de la banda -misma alineación que registró el disco-, consiste en Old Ripper en batería, Spectre en voces y Horrorhammer en guitarras, bajo y coros. 

La edición en CD está limitada a 500 copias y puede ser obtenida a través de Ex Nihilo Music y la propia banda. 

Un primer tiraje de 100 copias del casete fue lanzado a fines de abril del presente año y se agotó en pocos días. Un segundo tiraje de 100 copias adicionales ya está disponible a través de Burning Coffin Records y la propia banda. 

Nuevamente disponibles: reeditan los dos discos de la banda chilota Butamacho

Se trata de una edición doble en el clásico formato casete, el que está a cargo del sello Putrid Prods. La banda castreña de Death Metal trabaja actualmente en un tercer disco. 

Ya se encuentra disponible la reedición en formato casete de los dos larga duración que, a la fecha, ha publicado la banda chilota de Death Metal, Butamacho

Esta nueva edición, a cargo del sello Putrid Prods., presenta por primera vez ambas producciones en el clásico formato casete. Este nuevo lanzamiento está limitado a sólo 150 copias. 

Se trata de una edición doble revisada que contiene los discos “Reunión de brujos” (2011) y “El pelapecho” (2014). Ambas producciones fueron lanzadas originalmente en formato CD. 

Ambos casetes fueron fabricados en Estados Unidos, mientras que las cajas del material fueron importadas desde Inglaterra. Esta nueva edición viene con un slipcase integrado y el total de las letras incluídas en el layout, a diferencias de las ediciones en CD, que solo contienen fragmentos de éstas. 

Butamacho se formó en la ciudad de Castro en el año 2009. Su concepto lírico y musical está fuertemente influenciado por la rica mitología chilota. 

Butamacho trabaja actualmente en un tercer larga duración, el que será lanzado por Putrid Prods., y cuyo título sería “El Tué Tué”. 

Miguel Negrón Oyarzo.

Review: Ashakk Xul – Demo I (2020)

Ashakk Xul

Banda: ASHAKK XUL.

Título: Demo I.

Sello: Putrid Prods.

Desde Valdivia nos azota este dúo compuesto por Ish Shir Kur (guitarra y voz ) y Yhi An (batería), los cuales militan en BARBARIKULT y PERPETUAL HOLOCAUST, respectivamente. Lo que encontramos aquí es Death Metal de alto voltaje. Podemos apreciar en esta producción que conceptualmente está fuertemente influenciada por la temática sumeria/caldea, tan precisa para el estilo en sí.

Cuatro cortes es lo que nos ofrece este joven dúo, muy en la vena de la más noble música de la muerte, conviniendo y notándose una gran influencia por parte de IMMOLATION (segunda etapa de su carrera) además de la intensidad de VADER.

Gran trabajo en guitarra que nos trae melodías opacas y apañadas, recordándome la mejor época de NILE. Por otro lado, el trabajo en los paños tiene la velocidad y peso perfecto sin caer en los excesos de la plasticidad. Las cuerdas humanas recitan muy bien los encantamientos a los antiguos y los abismos insondables.

El formato es full color e incluye una demoníaca portada más las letras de estas cuatro adoraciones. Gran acierto por parte de Putrid Prods. Les puedo asegurar que le darán más de una vuelta a la cinta.

Post scriptum: por breves momentos me traían a la mente a sus antiguos y coterráneos FLESH COLLECTOR. ¡Obtén tu copia antes que el reloj mesiánico se detenga! Contacto del sello: putridpriest@gmail.com Acá va el contacto de la banda: AshakkXul@gmail.com

Escucha el tema «Imminent Conquest» acá.

Por Satran.

Review: Osculum Obscenum / Cavernal – “Feeding On Southern Horror” (2019)

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Banda: OSCULUM OBSCENUM / CAVERNAL.

Título: “Feeding On Southern Horror”.

Sello: Independiente.

“Feeding on Southern Horror” es el título del CD split que comparten OSCULUM OBSCENUM y CAVERNAL, dos jóvenes promesas del Death Metal nacional provenientes de la ciudad de Puerto Montt. Además del género al que adscriben y esta producción, ambas agrupaciones comparten actualmente algunos integrantes. Lanzado de forma independiente en julio del año 2019, “Feeding on Southern Horror” contiene 6 composiciones que se dividen en partes iguales por cada banda.

La primera mitad pertenece a OSCULUM OBSCENUM, banda que se mantiene activa desde el año 2013 según leo en la Encyclopaedia Metallum. Tras un breve intro se inicia “Osculum Obscenum”, tema que nos permite reconocer la excelente producción en cuanto a sonido, algo que se agradece y que da muestras de que detrás hay interés por hacer un trabajo profesional. Sin tratar de ser muy descriptivo, puedo contarte que el trabajo en guitarras es muy sólido -el que se mantiene durante toda la producción-, y que se encuentra a cargo de los hermanos Sebastián y Cristóbal Soto. La base rítmica cumple con su rol, destacando una propuesta equilibrada y apropiada para el estilo en lo que a batería se refiere, la que está a cargo de Víctor Villanueva. También asistimos a oír por primera vez la voz de Pablo Opazo, quien se caracteriza por ser muy versátil en su función dentro de la banda.

El segundo corte es “Proceso Cadavérico Incompleto”, tema que mantiene el estándar de calidad ya mostrado en “Osculum Obscenum”. Acá destaca el trabajo en bajo de Cristóbal Pérez, especialmente durante el coro, quien propone algunas líneas que van un poco más allá del mero acompañamiento rítmico. La propuesta musical en estas dos primeras composiciones se acerca mucho al Death Metal vieja escuela del que muchos somos fanáticos.

El último tema de la primera mitad de este lanzamiento es “Dulcis Melodia Mortis”, composición que resulta ser la más variada en cuanto a cambios rítmicos, pasando de pasajes con tempos lentos a otros más veloces. También considero que los mejores riffs de esta primera mitad están presentes en este tema. Un dato interesante en esta primera mitad es que todas las letras están escritas en español. Para quienes hemos tenido la oportunidad de ver a OSCULUM OBSCENUM en vivo, conocemos la calidad y profesionalismo de sus músicos, y este lanzamiento solo viene a reafirmar algo que ya sabíamos.

Como se sabe, la segunda mitad de este lanzamiento pertenece a CAVERNAL, agrupación formada en el año 2018. El primer tema es “Nodus Tollens”, una composición que parte a medio tiempo para luego subir la velocidad, momento en que podemos oír por primera vez la voz de Nicolás Miranda, quien además está a cargo de una de las guitarras. Las voces acá están un poco cargadas de reverb, pero nada excesivo. Las variaciones rítmicas se van intercalando a medida que avanza el tema, pasando de momentos de descanso para luego volver a la brutalidad y velocidad, cuyo clímax llega casi finalizando la composición con un sólido blast beat a cargo de Víctor Villanueva, el mismo señor tras los tarros de OSCULUM OBSCENUM.

El siguiente tema es “Sadistic Obscurity”, el que se inicia con un breve solo de batería y que da paso a unos de los mejores riff de esta parte del split. Tras ello, CAVERNAL ataca con toda la artillería disponible: guitarras veloces a cargo del propio Miranda, además de Pablo Castillo, quien según entiendo también hace voces en este registro. Ambos se hacen acompañar de unos veloces blast beat y unas líneas de bajo propias del estilo, aunque echo de menos un poco más de presencia de este instrumento, el que es ejecutado por Matías Moya.

Cierra esta producción “Invoke the Serpentine”, un tema que es tan veloz como el anterior, lo que hace que se mantenga de alguna manera la intensidad y desempeño mostrado en “Sadistic Obscurity”. A diferencia del tema anterior, las líneas de bajo pueden apreciarse con mucha mayor notoriedad. Ya llegando al cierre de esta composición, baja un poco la intensidad con unos medios tiempos, pero que sin embargo están cargados hacia el doble bombo. El cierre llega con unos sólidos blast beat.

A diferencia de OSCULUM OBSCENUM, que se orienta más a -como ya ha sido dicho- el Death Metal vieja escuela, CAVERNAL lo hace más hacia el Death / Black Metal, pero que -al igual que sus coterráneos-, se encuentra fuertemente influenciado por el metal de décadas pasadas.

No es menor destacar que ambas bandas grabaron sus respectivas composiciones en los estudios Caja Negra, lugar en que muchas bandas locales han logrado registrar demos y discos a lo largo de los años. La masterización corrió a cargo de estudios Black Sheep. Para ir cerrando esta reseña, puedo decirles que mis temas favoritos son “Dulcis Melodia Mortis” y “Sadistic Obscurity”. Solo queda invitarlos a adquirir este material a través de ambas bandas. Acá van los contactos: o.obscenum@gmail.com y cavernal@outlook.cl

Por Miguel Negrón.

Hallux Valgus ‘Death Will Prevail’ EP OUT NOW!

HALLUX VALGU’S Death Will Prevail CD EP has been officially released on 09/06/2018 and is now available in Chile through Ex Nihilo Music and the band itself. This edition is 500 copies limited and first 25 copies come with a free embroidered HALLUX VALGUS patch.

You can get yourself a copy by writing to infoexnihilo@gmail.com or by the label’s Facebook fanpage. You can get a copy from the label’s Big Cartel site as well.

HALLUX VALGU’S music is strongly influenced by acts as AUTOPSY, DEATH STRIKE, MORBUS CHRON, REPULSION, AMEBIX or G.B.H.

If you’re a die-hard fan of the Old School Chilean extreme metal scene, then Death Will Prevail will satisfy your thirst for Death Metal… 6 hymns of death in the old classic way!

Hailing from Puerto Montt city, HALLUX VALGUS was formed early 2013 by Lt. Nekroshit and Horrorhammer. Music was recorded between 2014 and 2016 in Puerto Montt and Santiago city, Chile.

Check out the Slaughter Lambs video clip here.

Hallux Valgu’s ‘Death Will Prevail’ debut EP soon through Ex Nihilo Music

Death Will Prevail is the title of the upcoming EP CD by Chile’s Death Metal act HALLUX VALGUS. Hailing from Puerto Montt city, HALLUX VALGUS was formed early 2013 by Lt. Nekroshit and Horrorhammer.

Music was recorded between 2014 and 2016 in Puerto Montt and Santiago city and the band is strongly influenced by old school Death Metal, Punk and Crust Punk. Some references are AUTOPSY, DEATH STRIKE, MORBUS CHRON, REPULSION, AMEBIX or G.B.H.

If you’re a die-hard fan of the Old School Chilean extreme metal scene, then Death Will Prevail will satisfy your thirst for Death Metal… 6 hymns of death in the old classic way!

HALLUX VALGU’S current line-up is Horrorhammer on guitars (SATANIC RIPPER, ANGELCRUSHER, INFERNAL SLAUGHTER), Nigredo on bass guitar (ANGELCRUSHER), Rotting on guitars (INFERNAL SLAUGHTER), Old Ripper on drums (SATANIC RIPPER) and Jorge on vocals (EXANIMATVM).

This stuff will be released on CD format in a limited edition of 500 copies. First 25 copies includes a free embroidered Hallux Valgus patch. Follow their steps at their Facebook fan page and check out the tracklist below.

1.- Twilight Of The Dead.

2.- Crawling Are The Dead.

3.- Hot Puke.

4.- Under The Ritual Of Necromancy.

5.- Slaughter Lambs.

6.- Only Death Will Prevail.

Watch here the ‘Slaughter Lambs’ video clip.

 

 

INTERVIEW: OCCULT PANTHEON

OPLOGO

OCCULT PANTHEON is a Death Metal entity coming from a small town located in southern Chile called Maullín. Their first released, a demo titled The Omega of the Alpha, received a good reception in the underground local scene. That production was later re-released the current year by Ex Nihilo Music as a part of a split CD with Chile’s PROFOUND GRAVE, titled Immortal Chaos Ascends. In the next interview OCCULT PANTHEON’s drummer dialogue about their current line-up, the philosophy behind the band and plans for their future.  

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When the band was formed and what was the purpose at the time? Tell me about your current line-up.

OCCULT PANTHEON was born early Autumn of 2013. After several meetings under Dionysian state between Owlhell, bass player; Conqueror, guitar player; Orravan, drum player and vocals, and contrasting our perceptions and ideas, the sketches were surfacing under just one task: create a necromancer alchemical Death Metal strongly influenced by old school bands. Although the work was taking its own course until come to be shaped, and it’s still growing as a solid alliance on strong roots. The current line-up is Owlhell on bass, Conqueror on guitars, Abyssal on guitars and E. Orravan on drums and vocals.

Which are the topics that OCCULT PANTHEON approach in their lyrics and which are your main influences?

The OCCULT PANTHEON lyrics emerge, based on searching the classic philosophical questions, using all the possible allegories. On this journey, we are under the influence of the arcane knowledge, alchemy, altered states of consciousness, magic, quantum physics, etc. Our first work is an iconography related to the shamanic phenomenon where our inner hero undertakes an initiatory trip to the world of the dead, transiting an insurmountable path searching for possession of life and death secret, posing it as a mysterious revelation from the occult pantheon.

I know that you shared the stage with ANGELCORPSE during May in Valdivia, Chile. How was that experience?

Yes, excellent experience! What better than playing live for our very first time sharing the stage with a great band as ANGELCORPSE, in a wonderful southern city as Valdivia city. Everything worked very well, great audience attendance, the venue was full of people. We received a good retribution from the audience and that is very strange since we are an almost unknown band. Some people arrived at the show from different cities to support us and made us very happy. While an incessant raining crowned the night, the promoter makes a good job.

OCCULT PANTHEON does not usually play enough live. Is there some kind of particular reason regarding this decision or is it just random reasons not to see you in the different flyers of underground concerts that are organized from time to time in Chile?

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The truth is there is some working and time reasons that we need to make concur, although there is the conviction that every time we play live it must be something special too, every show must be worthy and must represent our message in the best way possible, and to make it works there are some factors both technical and trustworthy, must be met. That said maybe there will be very few occasions that we get to make a live show, but when this happens to be assured that it will be a great experience for your senses.

OCCULT PANTHEON comes from a small city in southern Chile called Maullín (Maullín means ‘Waterfall’ in Mapudungún, the spoken language of Mapuche, native people from South-Central Chile and Argentina). Do you consider this factor as a disadvantage to making extreme metal if we consider that in itself, even in the larger Chilean cities and therefore with access to certain advantages (recording studios, venues where to play, etc.), it is already hard to making Death Metal?    

The truth is that in our case it has not been so. I would even say that has been a great advantage to belong to a small town like ours since we are remote and immune to the vices and gossips of the big cities. Our houses are close each other, we have our own gear and a spot to practice, and enjoy nature and tranquility. We have our own sound engineer and graphic designer in the band so we do almost all the work in our homes. So the truth in this aspect we are working very well. The only thing is that we have to migrate outside for working matters, but when we manage to get together everything flows in a good way.

Can you tell me about the underground metal scene in Maullín and the surrounding cities? What is your view on the underground metal scene in southern Chile today?

Maullín is an old but very small town, so it does not have much history about it. Anyway, there have always been people battling for metal, although we are the first band to record something serious and play outside Maullín. The extreme metal scene in South Chile has always been good with a lot of actives bands in different genres and now is much better since it has been professionalizing gradually, with better productions, shows, rehearsal rooms, recording studios and serious people that are dedicated to supporting the scene, all this next to the attitude of the new generations to concretize in a professional way theirs works.

OP

Your demo The Omega Of The Alpha, released in 2015, received excellent reviews from the national and international extreme metal scene, which even led you to reissue that material in tape format with two different labels, Aorrahantakhard Productions from Thailand and Soul Reaper from Chile, in addition to including the same material in the Split CD with PROFOUND GRAVE released by Ex Nihilo Music. Will the new material in which the band currently works will follow the same way already shown in their previous works or will there be variations in composition, lyrics, sounding, etc? What is the importance of using intros/outros in your productions? Is it a resource that will be used again in your next works?

The new material will bring improvements both in sound and in musical structures, the songs are more polished and with some worked details. In the global aspect will maintain the brutality and darkness that are the main part of our compositions. Regarding the lyrics, we will keep the main topics with a poetic and allegorical language of the mysteries that covers the occult pantheon. Will reveal some secrets that our hero has decoded in his trip. Regarding the intros/outros in our first demo, it was important since from my point of view it contributed to the general concept of the work helping to create the atmosphere and to understand in a better way the general production… in addition, it served as food for critics. I don’t know if it will remain as a resource that we could use again by now. We reserve the right to analyze it in due course.

What’s next for the future of OCCULT PANTHEON? I know that there are plans to launch a new production soon. Can you tell us something, whether it’s a number of tracks, the title of the new work, etc.?

Yes, we are ready to launch new material which is already recorded and is only missing the last details. This will consist of 3 new songs and we intend to release it as EP. We already have some offers from some labels but nothing serious really by now, so we are open to receive new offers. Regarding the music, I can tell you that maintains the brutality and variety of nuances although this time with more complex structures. We also add another guitar player which creates new atmospheres to the band. It only remains to invite them to be tuned to what is coming…

That’s all for now. Space to say whatever you want.

First of all, thanks to Miguel and Ex Nihilo Music for relying on our artistic proposal and doing an excellent job with the Split CD Immortal Chaos Ascends by PROFOUND GRAVE and OCCULT PANTHEON and thus help us to spread our kind of magic expressionism (growing and expanding its borders). Those interested in our work, don’t hesitate to contact us and keep an eye on what is coming, which will not disappoint. Cheers from the South. Hail Eris! Hail Patagonia!

Discography:

Occult Pantheon – “The Omega Of The Alpha” (Independent, 2015)

Profound Grave/Occult Pantheon – “Immortal Chaos Ascends” (Ex Nihilo Music, 2017)

Contact: occultpantheon@gmail.com

SAMOT EP will be re-released by Ex Nihilo Music

SamotSAMOT‘s Across The Abyss EP, their second official production released on tape format last year, will be re-release by Ex Nihilo Music in June this year on CD format in a limited edition of 300 copies. Across The Abyss was recorded in the summer of 2016 in DM6 Studio, Santiago, Chile, and contain four tracks.

The current SAMOT‘s line-up includes Tomás B. (AXE BATTLER) on guitars and vocals, Franco B. on bass guitars and Tomás P. on drums. SAMOT‘s music is strongly influenced by some 90’s swedish bands as DISSECTION, UNANIMATED, DAWN, THE ABYSS, SACRAMENTUM, among others.

SAMOT was formed in 2010 in Santiago, Chile, as a one-man band by Tomás B. In 2015 was released the first SAMOT‘s production, a 4 tracks demo tape titled The Beginning. 

Across The Abyss will be distributed by Ex Nihilo Music in Canada and the U.S. Check out the tracklist below.

01.- Awakening.

02.- The Calling.

03.- Across The Abyss.

04.- Whispers.

Exhumed From The Past: ARADIS

Aradis

For everyone who saw ARADIS playing live on stage, there is no doubt they were at the time one of the best bands coming from Puerto Montt city, located in southern Chile. ARADIS was a Doom/Death metal act with some Black influences. Strongly inspired by bands like TIAMAT, PARADISE LOST, MY DYING BRIDETORMENTOR (Hun), among others, the band was formed in the mid of 1997.

The classic line-up included Patricio Inostroza (known as Azael) on vocals, Cristian Cárcamo (currently in SATANIC RIPPER, HALLUX VALGUS, ex-MORTINATVM) on drums, David Briones (currently in SON IN CURSE, THE BLACK HARVEST, ex-REGNUM ET MORTEM) and Jaime Aros (currently in REGNUM ET MORTEM) both on guitars, Jorge Campos on bass guitar and Héctor Rubio (currently in REGNUM ET MORTEM, ex-TEMPLE) on keyboards. Other members who participated in this project were Víctor Low (currently in DEMONIC RAGE, RUINED, FUNERAL CHANT, ex-INFERNAL SLAUGHTER, ex-WARFARE) on keyboards and Francisco on guitars and bass guitar.

Morbid Metal V, año 2000

Morbid Metal V flyer (2000). ARADIS shared stage with IN MORTIS, BURNING FLESH, WARFARE, DISTORTION, among others.

Their style was characterized by the use of mid-tempo guitars and acoustic interludes, melodic arrangements on keyboards, guttural vocals and some double kicks here and there on drums. The band composed around 9 songs and just recorded two of these songs: “My Dark” and “The Rebellion” but was never released. Other titles were «Dark Souls», «Endless Tempest» and «Black Death Butterflies».

Early 2000 the band worked on a demo recording with Walter Tölg (currently in HETROERTZEN, SAPIENTIA, ex-HHAHDA, ex-HORNS, ex-VERBIMUS, etc.) in Puerto Varas city, 16 kilometers away to the north of Puerto Montt, but for different reasons it was never finished despite the interest showed by the extreme metal scene, fanzines and labels at the time.

ARADIS participated of the classic Morbid Metal shows in their hometown, played some shows in Osorno, Valdivia, Punta Arenas and Temuco and shared stage with bands as TEMPLE, BLACK MOON, DORSO, BEWITCHED, HETROERTZEN, INQUISICIÓN, TORTURER, EPSILON, RETRAL, UNDERCROFT, VICTIMIZED, BURNING FLESH, IN MORTIS, among others.

ARADIS demise occurred in 2002 and after that, some members have tried to reform the band with a different musical direction with no success. The only ARADIS recordings you can find today is some old videos on YouTube performing some original songs and cover tunes live on stage.

*Thanks to David Briones for information provided.

PROFOUND GRAVE/OCCULT PANTHEON SPLIT CD OUT NOW

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Immortal Chaos Ascends, the awaited split CD by Chilean Black and Death Metal acts PROFOUND GRAVE and OCCULT PANTHEON, is now out via Ex Nihilo Music. This new release has 10 tracks in almost 33 minutes of uncompromised and suffocating extreme metal made in the south of the world.

PROFOUND GRAVE was formed in Puerto Montt city and the current line-up is Grave on guitars, O.E. Orravan on drums, Profanus on bass and Satran Xul on vocals.

OCCULT PANTHEON was formed in Maullín -about 70 kilometers away from Puerto Montt- and the current line-up is Owlhell on bass, O.E. Orravan on drums/vocals and Conqueror on guitars.

This new production will be distributed by Ex Nihilo Music in Canada, the US and Europe. In Chile will be available via both bands and Putrid Prods. Now you can purchase this brutal piece of Chilean extreme metal directly via Ex Nihilo Music BigCartel site.